The
first of the pieces from my memoir project. For a backgrounder on this project
see earlier post
The Memoir - a work in progress
Background see Working on a Memoir
Leaves 7-9 Hooning, Teaching & Presenting
Leaves 10-11 Bookseller, Vexatious FOI applicants and shaky start to an academic career
Leaves 12-14 Car crash, Launceston early 1960s, A Road Not Taken
The Memoir - a work in progress
Background see Working on a Memoir
1st leaf see Memoir Leaf 1 - Mexico 2008
Leaves 2-6 Ireland, Launceston, Cape Town, Whyalla, CambodiaLeaves 7-9 Hooning, Teaching & Presenting
Leaves 10-11 Bookseller, Vexatious FOI applicants and shaky start to an academic career
Leaves 12-14 Car crash, Launceston early 1960s, A Road Not Taken
At the moment the memoir consists of a series of leaves or postcards that slip between time periods without following a chronology or trying to tell a structured story.
Appreciate feedback, reactions and suggestions.
Cover art: with kind permission of Rachel-Ireland-Meyers (see http://www.redbubble.com/people/grace4)
Blue Echo
Cover art: with kind permission of Rachel-Ireland-Meyers (see http://www.redbubble.com/people/grace4)
Blue Echo
Leaves of My Past – Snapshots from an
unfinished journey
Leaf 1 “Happy Birthday” November 2008 Mexico
It’s an early
November evening and I’m walking down a colonial cobblestone street towards our
hotel in Puebla, Mexico. The Camino Real
is a grand 16th century building converted from a monastery where
the bodies of nuns, many rumoured to be pregnant, are in the walls. The building has a large open air courtyard ideal
for recreating a scene where Zorro would be ducking from second storey stone
archway to archway dodging sword thrusts and bullets fired from the courtyard
below. On the eve of my 50th birthday, I am a hemisphere, ocean and
continent away from home, wife, children, and seemingly, several worlds away
from my birth in a small coal mining village nestled in the hills of the east
coast of Tasmania. I am in Mexico as an invited guest of two warring factions involved
in Freedom of Information and Freedom of Expression. Though unsure of the
causes or history of the rift, I can sense the deep animosity between the two
groups and the problems caused by my close and personal links to key people in
both groups. In the luxurious foyer of the Mexico City Sheraton, my first host,
a Mexican City Information Commissioner, hands me over to the representative (a
future postgrad student of mine) of her sworn enemy. Like a scene from a black
and white cold war movie, I am made to walk from one to the other in a silent
handover between antagonists. The Commissioner is a beautiful, feisty, flamboyant,
long haired woman who seems to have high level contacts everywhere. She is cool,
urbane and bejewelled. My future postgrad carries with her the revolutionary
spirit and proud gait of Pancho Villas.
I am in
Mexico as part of a travelling troupe of speakers from Canada, Uruguay,
Argentina, Chile, Spain and Mexico. In return for our expenses, we are required
to speak at a number of conferences and events in Mexico City, Puebla
and Cuernavaca. At each town, we roll from our small min-bus, set up camp at a
new hotel and then wait to be told where and when we are performing our freedom
of expression show-pieces. In sharp contrast to the much smaller and more
subdued gatherings I encounter in many counties including my own, the audiences
often number several hundred passionate and interested people.
As we navigate,
through Puebla, on time worn cobblestones, I start to relate my story to the
Spanish academic alongside me. Rumours at breakfast suggest she is an Opus Dei associate. Yet against the backdrop of the volcanoes Popocatépetl and Iztaccíhuat, it is
more the catholic grace of her smile that draws me into conversation rather
than the form or depths of her beliefs. My story is one I never wanted to tell before
but now it seems eager for airing, even if only as a collection of poorly
recalled fragments. Maybe I am prompted by the pending milestone of my 50th
birthday or maybe it is the surrounding and deep layers of Aztec, Spanish and
Mexican history that encourages me to approach my own heritage. In this gathering of foreigners – to Mexico
and each other – maybe I feel safe to hesitantly retrace experiences and
stories I had thought long dismissed from my life.
My story begins with a young and beautiful woman with flaming red hair. She is holding the hand of a small boy on the steps of the Launceston post office in the early 1960s. In photos and my earliest memories, she could have easily graced the salons of Paris or the Bohemian bookstores of 1950’s San Francisco but it was her fate (and maybe my birth), which restricted her to a much shorter journey from the back blocks of Elizabeth Town to the socially constrained streets of early 1960’s Launceston. In that era of Tasmania’s history, she was out of place: a young woman with two young children and no husband. The missing husband, my birth father, was someone I only encountered in limited ways. This stranger’s name appears on my original birth certificate. My middle name is his but I have rarely drawn attention to it. The first seven years of my life are bookmarked by a surname I no longer wear or identify with and one I freely surrendered at first opportunity. The replacement of the name also seemed to close the door on my early years.
As the memories faded, I made no attempt to
hold on or to test my mother’s silence on the past. My birth father has remained a stranger who
appears in a couple of black and white photos in my mother’s old tin box. My
only other encounter with this man was a couple of years previously, date
forgotten, when reading the death notices in The Mercury, a newspaper often flimsy and unsatisfying in its
content but accurate in its lucrative death announcements. I had cut the notice
out, intrigued by the mention of other children, and other unknown family
members but that clipping was quickly neglected and is now lost. The rough
landmarks I have in my memory would place my parent’s breakup around the early
months of my little sister’s life when I was 3 or 4 years old.
No
questions were asked about this stranger because my mother never seemed to want
to talk. For many years I didn’t realise he was missing. When I was around
eight years of age my mother met the only man I have ever called dad, and whose
surname I embraced eagerly and still wear with pride. For many years I didn’t
feel fully entitled or worthy to wear the name. Only as my reputation as an
academic, teacher and law reformer grew, did I feel I had repaid a very large gift.
In the
1960s, ‘broken families’ were not uncommon but were treated as failures and
rarely spoken of and then, only in whispers. In contrast, when my own children
were in school, Esther and I belonged to a minority of married couples still in
their first marriage and or family grouping. I bore my background as a secret,
although well known by everyone in our small town, whereas my children knew
automatically which week or day their friends would shift from one family
setting to their alternative, and even at times their third or fourth
alternative household.
My broken
story, teased out by some gentle questioning and encouragement, only took a few
blocks to tell. It was like opening my
own old photo tin but my pictures were more fragmentary and less complete, than
my mother’s. They were like old deteriorating film off cuts, without a narrator
or scriptwriter to provide the storyline.
As I
listened to my companion talk about her recent travels across Europe, facts,
impressions, glimpses and other half recalled scenes of my past floated like
bubbles struggling to the surface of a thick and opaque liquid. In one scene, I
am looking after my young sister, who was less than 4, while my mother worked
in a low paid job in some nearby factory. The other fragments are of constantly
moving between houses, cities, towns and states so that no place ever anchored
itself as ‘my home’. Within these scenes, are encounters in different places
with a set of relatives and friends who seemed as unsettled and transient as we
were. We constituted a group of people descended from the wandering and
drifting poor, who James Boyce writes about near the end of his Van Diemen’s Land. These early arrivals
were men and women (and children) forced to the periphery of both the landscape
and society of Tasmania in the late 1840s and 1850s. By the 1960s, their
descendants were still poor and drifting. We remained locked into an
educational, economic and social periphery, living in small towns, the poorer
streets of Launceston or on a circuit between friends and relatives, employed
as labourers or semi-skilled workers in forestry, farming and mining while supplementing
periods of unemployment with roo and possum shooting. I remember looking at the
missing fingers, and finger joints, of an older relative who seemed to have
fortuitous workplace accidents when drinking funds started to dry up. It took a
long while for my interpretation of his ‘accidents’ to change from a tale of
besting the system to one of hopelessness.
That
brief period of openness in a warm Mexican evening started to release over time
other stories. In particular, I recalled stories of walking to and from
different primary schools, constantly alone, conjuring up mythical visions of
my past and connections. In those long
walks, a remoteness and a stubborn self reliance was forged that still erodes
at all my bonds. The photographs of this period show a serious young boy, not
unhappy, but wary, alert – taking all around him in, just in case it is whisked
away.
As we
approached The Camino Real, the ghosts
of entombed pregnant nuns and the darkness of the night filled the colonial streets. In that darkness,
and surrounded by the thick walls, I hid my story away again surprised by what
I had brought out to share with this stranger in the early evening light of
this beautiful but foreign country.
My story stopped before getting to the little
boy with a severe speech impediment, an impediment that added a deeper and more
complicated layer to his feeling of being an outsider. It’s an impediment, that
still lingers in the background and determines many of the things I do. The King’s Speech reminded me of the
lingering sensitivity, indeed the rawness of this legacy. Now in late middle
age, or early old age, I struggle to
stretch my vocabulary to new areas or multi-syllable words and I am unwilling
to try to learn new languages. The stuttering and word mangling were compounded
by a tendency, still a feature, of speaking at a million miles an hour when
excited or engaged. A constant wonder for me is how a stuttering, syllable
stumbling motor mouth has forged a career and reputation that relies heavily on
public communication. Maybe my art of keeping things concise and simple – to
accommodate my own limitations – has reaped unexpected benefits.
The
unreliable tongue and voice led the young boy, with no books at home, to
endless hours sitting in the small school library devouring every book from
non-fiction series on World War II battleships to an entire twenty-five plus
collection of books about a wandering young cowboy with his trusty palomino who
signed off every story with ‘hasta la vista’. Hours spent in isolation where my
tongue could not betray me and the magic of word combinations seemed achievable
via the written word. Its a legacy that
dogged my every step through high school even to the leaver’s dinner, where I
arrived full of dreams and bravado dressed in a purple flared suit, floral
shirt and tie brought during a rare family trip to Burnie, in those days and in
my family’s eyes a distant 113 miles away.
On the tables at the Leavers Dinner were nameplates and a caricature for
each person drawn by a talented and perceptive classmate. Despite being a House
Captain, school representative in cricket, basketball, badminton, athletics,
proud under age drinker and feared fast bowler, my image was a picture of a
cute bookworm with glasses. Forty years later I can appreciate the foresight
and accuracy of that drawing, but throughout that special night and for many
years later, I felt it was a denial of a large part of who I was. Books were
constant and close companions but there were other stories, other parts of what
was or who was ‘me’. In a mining town,
the translation was simple – being into books was simply ‘weird’ and undermined
your creditability. Only the pace of my cricket deliveries and my drinking
capacity rescued me from being treated as a total pariah.
to be continued
- Leaf 2 “Returning to Erin” Ireland April 1999
Leaves 2-6 - Ireland, Launceston, Cape Town, Whyalla, Cambodia
Leaves 2-6 - Ireland, Launceston, Cape Town, Whyalla, Cambodia
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